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Harmony Hammond – Inside The White Cube ex – White Cube Bermondsey – London – October 2019

  • October 17, 2019December 16, 2019

Video (2:22): a promotional video about the exhibition Harmony Hammond – Inside The White Cube, 12 September 2019 – 3 November 2019, at White Cube Bermondsey in London.


[The copyright of the video above remains with the original holder and it is used here for the purpose of education, comparison and criticism only.]

Harmony Hammond

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21 years of Queer Feminist Art!

Feminine Moments (2003-2024) presents fine art made by lesbian, bisexual and queer women artists worldwide. This Art Blog and queer feminist art visibility project is edited by visual artist Birthe Havmoeller, Denmark.

Queer Feminist Art Books

  • Tamara de Lempicka (Yale Press, 2024)
  • Marie Laurencin: Sapphic Paris (Yale Press, 2024)
  • 8 Women by Collier Schorr (MACK, 2014)
  • Queer Art: From Canvas to Club and the Spaces Between – Book Event and Panel Discussion
  • August by Collier Schorr (MACK, 2022)
  • Jess Dobkin’s Wetrospective Book Launch
  • Tamara de Lempicka – New Art Book and the First Museum Retrospective in the US
  • New Book: ET L’AMOUR AUSSI by Marie Docher (2023)
  • Self Publish, Be Happy Interview: Åsa Johannesson (2010)

Queer/Feminist Curating

  • Bergen Kunsthall – Queer Methodologies in Curating and Art (2022)
  • Biennale Arte 2022 – Meetings on Art: Curating from Feminist Perspectives
  • Common Ground: Curatorial Activism/Queer Curating – Maura Reilly & Friends
  • Ann Cvetkovich: Artist Curation as Queer Archival Practice
  • Sophie Hackett on Curating Sex and Sexuality (2016)
  • Maura Reilly – Curatorial Activism
  • Queermuseum: Queer Tactics Toward Non-Heteronormative Curating
  • Queer Exhibitions/Queer Curating: A Cross-Cultural Symposium
  • Civil Partnerships? Queer and Feminist Curating: Conference Video Recordings (2012)
  • ‘Printed Matters: Creating and Curating Queer’

Copyright

The copyright of videos, photographs and texts integrated on this website remains with the original holders and the materials are used here for the purpose of education, comparison and criticism only.