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Queer Feminist Art Worldwide

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NewFest 2020 – BLOODSISTERS LEATHER, DYKES AND SADOMASOCHISM Q&A

  • November 5, 2020October 23, 2022

Q&A with the filmmaker behind documentary BLOODSISTERS LEATHER, DYKES AND SADOMASOCHISM! (1995) queer feminist artist Michelle Handelman. Video by NewFestNYC.

Michelle Handelman

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Next PostMichelle Handelman in conversation with Ingrid Jean-Baptist (2017)

21 years of Queer Feminist Art!

Feminine Moments (2003-2024) presents fine art made by lesbian, bisexual and queer women artists worldwide. This Art Blog and queer feminist art visibility project is edited by visual artist Birthe Havmoeller, Denmark.

Queer Feminist Art Books

  • Tamara de Lempicka (Yale Press, 2024)
  • Marie Laurencin: Sapphic Paris (Yale Press, 2024)
  • 8 Women by Collier Schorr (MACK, 2014)
  • Queer Art: From Canvas to Club and the Spaces Between – Book Event and Panel Discussion
  • August by Collier Schorr (MACK, 2022)
  • Jess Dobkin’s Wetrospective Book Launch
  • Tamara de Lempicka – New Art Book and the First Museum Retrospective in the US
  • New Book: ET L’AMOUR AUSSI by Marie Docher (2023)
  • Self Publish, Be Happy Interview: Åsa Johannesson (2010)

Queer/Feminist Curating

  • Bergen Kunsthall – Queer Methodologies in Curating and Art (2022)
  • Biennale Arte 2022 – Meetings on Art: Curating from Feminist Perspectives
  • Common Ground: Curatorial Activism/Queer Curating – Maura Reilly & Friends
  • Ann Cvetkovich: Artist Curation as Queer Archival Practice
  • Sophie Hackett on Curating Sex and Sexuality (2016)
  • Maura Reilly – Curatorial Activism
  • Queermuseum: Queer Tactics Toward Non-Heteronormative Curating
  • Queer Exhibitions/Queer Curating: A Cross-Cultural Symposium
  • Civil Partnerships? Queer and Feminist Curating: Conference Video Recordings (2012)
  • ‘Printed Matters: Creating and Curating Queer’

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The copyright of videos, photographs and texts integrated on this website remains with the original holders and the materials are used here for the purpose of education, comparison and criticism only.