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Queer Feminist Art Worldwide

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Poulomi Desai Recycles Old Sitars

  • September 19, 2018August 14, 2024

Video (3:23): Poulomi Desai – Experimental artist. Oral History Interview by Lata Desai & Rolf Killius, 2018.

[The copyright of the video above remains with the original holder and it is used here for the purpose of education, comparison and criticism only.]

Poulomi Desai

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20 years of Queer Feminist Art!

Feminine Moments (2003-2023) presents fine art made by lesbian, bisexual and queer women artists worldwide. This Art Blog and queer feminist art visibility project is edited by visual artist Birthe Havmoeller, Denmark.

Queer Feminist Art Books

  • Queer Art: From Canvas to Club and the Spaces Between – Book Event and Panel Discussion
  • August by Collier Schorr (MACK, 2022)
  • Tamara de Lempicka – New Art Book and the First Museum Retrospective in the US
  • New Book: ET L’AMOUR AUSSI by Marie Docher (2023)
  • Self Publish, Be Happy Interview: Åsa Johannesson (2010)
  • New Book: Photography – A Queer History – How LGBTQ+ photographers shaped the art
  • Open Questions: Thirty Years of Writing About Art by Helen Molesworth
  • Esther Pressoir: A Modern Woman’s Painter
  • New Art Book – The Secret Art of Dorothy Hepworth AKA Patricia Preece

Queer/Feminist Curating

  • Bergen Kunsthall – Queer Methodologies in Curating and Art (2022)
  • Biennale Arte 2022 – Meetings on Art: Curating from Feminist Perspectives
  • Common Ground: Curatorial Activism/Queer Curating – Maura Reilly & Friends
  • Ann Cvetkovich: Artist Curation as Queer Archival Practice
  • Sophie Hackett on Curating Sex and Sexuality (2016)
  • Maura Reilly – Curatorial Activism
  • Queermuseum: Queer Tactics Toward Non-Heteronormative Curating
  • Queer Exhibitions/Queer Curating: A Cross-Cultural Symposium
  • Civil Partnerships? Queer and Feminist Curating: Conference Video Recordings (2012)
  • ‘Printed Matters: Creating and Curating Queer’

Copyright

The copyright of videos, photographs and texts integrated on this website remains with the original holders and the materials are used here for the purpose of education, comparison and criticism only.