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Queer Feminist Art Worldwide

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Q&A with G.B. Jones – QUEERCORE and THE TROUBLEMAKERS

  • January 17, 2019January 18, 2019

Video (25:25): Q&A with G.B. Jones – QUEERCORE and THE TROUBLEMAKERS, November 20, 2017, Cinema Politica Concordia, Concordia University.

[The copyright of the video above remains with the original holder and it is used here for the purpose of education, comparison and criticism only.]

Related Link

“The Troublemakers” Trailer by G.B. Jones

G.B. Jones

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21 years of Queer Feminist Art!

Feminine Moments (2003-2024) presents fine art made by lesbian, bisexual and queer women artists worldwide. This Art Blog and queer feminist art visibility project is edited by visual artist Birthe Havmoeller, Denmark.

Queer Feminist Art Books

  • Tamara de Lempicka (Yale Press, 2024)
  • Marie Laurencin: Sapphic Paris (Yale Press, 2024)
  • 8 Women by Collier Schorr (MACK, 2014)
  • Queer Art: From Canvas to Club and the Spaces Between – Book Event and Panel Discussion
  • August by Collier Schorr (MACK, 2022)
  • Jess Dobkin’s Wetrospective Book Launch
  • Tamara de Lempicka – New Art Book and the First Museum Retrospective in the US
  • New Book: ET L’AMOUR AUSSI by Marie Docher (2023)
  • Self Publish, Be Happy Interview: Åsa Johannesson (2010)

Queer/Feminist Curating

  • Bergen Kunsthall – Queer Methodologies in Curating and Art (2022)
  • Biennale Arte 2022 – Meetings on Art: Curating from Feminist Perspectives
  • Common Ground: Curatorial Activism/Queer Curating – Maura Reilly & Friends
  • Ann Cvetkovich: Artist Curation as Queer Archival Practice
  • Sophie Hackett on Curating Sex and Sexuality (2016)
  • Maura Reilly – Curatorial Activism
  • Queermuseum: Queer Tactics Toward Non-Heteronormative Curating
  • Queer Exhibitions/Queer Curating: A Cross-Cultural Symposium
  • Civil Partnerships? Queer and Feminist Curating: Conference Video Recordings (2012)
  • ‘Printed Matters: Creating and Curating Queer’

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The copyright of videos, photographs and texts integrated on this website remains with the original holders and the materials are used here for the purpose of education, comparison and criticism only.