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Feminine Moments

Queer Feminist Art Worldwide

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    • Recent Art Books
    • A-L
    • M-X
  • Resources
    • Online Queer/Feminist Exhibitions
    • Exhibition Spaces
    • Lesbian/Feminist/Queer Arts Festivals
    • Queer and Queer Feminist Arts Resources
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Season’s Greetings from Feminine Moments

  • December 20, 2017December 20, 2017

Season Greetings 2017-18

Happy holidays! I hope to see you in 2018.
Love and kisses,
Birthe Havmoeller, Editor of Feminine Moments

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21 years of Queer Feminist Art!

Feminine Moments (2003-2024) presents fine art made by lesbian, bisexual and queer women artists worldwide. This Art Blog and queer feminist art visibility project is edited by visual artist Birthe Havmoeller, Denmark.

Queer Feminist Art Books

  • Tamara de Lempicka (Yale Press, 2024)
  • Marie Laurencin: Sapphic Paris (Yale Press, 2024)
  • 8 Women by Collier Schorr (MACK, 2014)
  • Queer Art: From Canvas to Club and the Spaces Between – Book Event and Panel Discussion
  • August by Collier Schorr (MACK, 2022)
  • Jess Dobkin’s Wetrospective Book Launch
  • Tamara de Lempicka – New Art Book and the First Museum Retrospective in the US
  • New Book: ET L’AMOUR AUSSI by Marie Docher (2023)
  • Self Publish, Be Happy Interview: Åsa Johannesson (2010)

Queer/Feminist Curating

  • Bergen Kunsthall – Queer Methodologies in Curating and Art (2022)
  • Biennale Arte 2022 – Meetings on Art: Curating from Feminist Perspectives
  • Common Ground: Curatorial Activism/Queer Curating – Maura Reilly & Friends
  • Ann Cvetkovich: Artist Curation as Queer Archival Practice
  • Sophie Hackett on Curating Sex and Sexuality (2016)
  • Maura Reilly – Curatorial Activism
  • Queermuseum: Queer Tactics Toward Non-Heteronormative Curating
  • Queer Exhibitions/Queer Curating: A Cross-Cultural Symposium
  • Civil Partnerships? Queer and Feminist Curating: Conference Video Recordings (2012)
  • ‘Printed Matters: Creating and Curating Queer’

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The copyright of videos, photographs and texts integrated on this website remains with the original holders and the materials are used here for the purpose of education, comparison and criticism only.