Press release by Allyson Mitchell & AGYU, July 17, 2013 Forget the dead this Hallowe’en Feel the pulsing throb of something larger than life in Kill Joy’s Kastle: A Lesbian Feminist Haunted House. Opening this October in Toronto. Holey Hell House! Each Hallowe’en radical evangelical groups all over the USA…
Tag: Allyson Mitchell
Gender Studies and Body Politics Session 2 | published by The New School, Nyc. USA, 2010 Ann Cvetkovich, Professor of English and Professor of Womens and Gender Studies, University of Texas at Austin. Prof. Cvetkovich discusses the problems of continuity/discontinuity across feminist generations. What turns have we taken, and how…
Curating Feminist and Queer Art The above video presents the highlights of the Civil Partnership Event at Tate in 2012. The symposium was held as part of the Leverhulme funded project Transnational perspectives on women’s art, feminism and curating. “Reflecting on the politics and practices of queer and feminist art…
TIME SENSITIVE is the landmark publication of the Feminist Art Gallery (FAG)
Hello and Happy New Year! So excited to share two new interviews – on feminism, art, porn, collaboration, and representation – with artists A.L. Steiner and A.K. Burns in the current issue of No More Potlucks. It’s available online and print-on-demand. Best wishes for a healthy, happy, productive 2012, Anthea…
The amazing diy-queer non-commercial film-festival is almost here! For the fifth time around Entzaubert is coming to Schwarzer Kanal,
from Thursday 07.07- Sunday 10.07 and this time with a beautiful new d.i.y.cinema!
Queer artist Allyson Mitchell interviewed by Irma Villafuerte, part I, May 12, 2009. Allyson Mitchell, is a maximalist artist working predominantly in sculpture, installation and film. Mitchell has been melding feminism and pop culture to play with contemporary ideas about sexuality, autobiography, and the body, largely through the use of reclaimed textile and abandoned craf.
Euro-Electronica-Pop-Divas INA UNT INA pay homage to Lynda Barry in the strange land of Granny Squares and Shag Carpet. The video is set in an art installation by queer Canadian artist Allyson Mitchell. The installation is titled ‘Hungry Purse’.
Deep Lez uses cafeteria-style mixings of craft, context, food, direct action and human connections to maintain radical dyke politics and resistant strategies.